Wednesday, 9 March 2011
International Women
Various friends had rung, emailed or texted me to wish me good luck before hand, which was really sweet that they were thinking of me and wanted to wish me well with their support, I really did appreciate it!
I arrived a good hour early and was met by the positive and ever helpful Janet, who works at the library, and introduced me to the lovely Mariama, and we were shown the set up and the stage and seating for the audience. Ok, it was relaxed and informal and the emphasis was on the word "fun" for the evening. I'd been practicing my talk for a few days beforehand, and hoped that I wouldn't dry up during it! I was on in the first half, after Mariama had spoken. Then there was to be an interval for coffee and then Janet spoke, followed by Hayley singing. I'd met the delightful Hayley briefly in somewhat different circumstances, since she was at the house of a friend of mine the other week, and we'd said hi over a game of Trivial Pursuit!
There were enough people in the mostly feminine audience for me to still feel that I could relate to them as individuals and I was delighted that they came to speak to me before and after my talk, and at the end of the evening. Some were inspired enough to want to talk to me about the possibility of me doing commissions for them, some wanted to talk about the prints I'd taken with me, and some wanted to talk about their interest in art. All interesting, as ever, and really nice to interact with them as friendly people. The head librarian asked me afterwards how many times I'd said my talk before and was surprised when I said it was the first time. He said that it sounded natural and I said that I'd been practicing it out loud for the last few days, so I'm glad that I did, even if the cat was a little bemused my by actions!!!!
It's been interesting for me to sum up my life so far in a succinct talk lasting 20 minutes, to complete strangers. I looked at the who-what-why-how-where-when aspect to help me put it in order. And its really focused me again on to what I do and who I am. One woman told me afterwards that she was enthralled with my talk, so that was great to hear! And for those who missed it - this is the basis of my talk:
Hello, I’m Jackie Adshead and I’m a landscape painter.
I also paint portraits of humans and animals, houses, scenes and various objects, cats and dogs, horses, tigers and other big cats, children, mythical beasts, and fantasy pictures. But you’re not interested in that, because no one ever is! I don’t know why, but people are always far more interested in the fact I do Erotic art, more than anything else! And for some reason, I always seem to sell more erotic art than the “normal stuff”. But then what is normal? For me, erotic art is.
I’ve spent all my life painting. I’ve never stopped since I first picked up a crayon as a toddler, and I had my first commission at the age of 13 for my history teacher at school, and I've painted many things for many people, but the artwork has changed a bit since then! So I’ve always had the talent to paint within me, but I like to push my boundaries a bit, and like a challenge, and love to be creative so for that reason I am probably unusual in that I will paint any subject matter, I don’t limit myself to just painting flowers, or landscapes, or people. Or to a certain style. I love to paint in watercolours, acrylics or oils. And to draw with pencil or pen and ink. And I do surreal, abstracts, fantasy, camouflage art, as well as representational. I am a painter rather than an illustrator. In that I try to catch the essence and feel of the subject rather than a totally true representation. You can use a camera for that. But the image will be more stark. Painting is softer and more accepting, accentuating the good bits, and lessening the bad bits.
I know I am unusual in that I am a woman doing erotic art. But I love doing it, as an artist painting other people and making them look good. I love to see women in art, and painting art for women, as a woman artist. I believe all women can look erotic, regardless of their age, or body size. We all like to feel attractive, it’s that that I try to find, to pick up on, and put the essence of it into the painting.
I am most inspired by Caravaggio for his dramatic use of light and deep darks. And I also love the work of Dali, Jack Vettriano, Boris Vallejo, Frank Frazetta, Josephine Wall, Jim Warren.
I must admit, as far as jobs go, there aren’t many jobs where it’s perfectly normal for people to take their clothes off for you – but my job is one of them! People feel at ease when I draw them. They take their clothes off, and I just keep the eye contact, and whatever they look like is ok. They will only find it strange if the response is negative. To me it’s a positive experience.
Having said that, as far as I’m concerned drawing a human body is just the same as drawing a bottle or a vase of flowers, I look at the lines, and the tones, the form, where the light is hitting the body and work out the best composition. People sometimes ask me if I’m turned on by looking at the erotic images, and are probably surprised when I say that I am not. Its just work for me! Because it’s just an object I’m drawing regardless of what it is. But, what I have to bear in mind when I draw an erotic image is that I don’t feel sexy when I’m drawing the picture, and the model might not even feel sexy if it’s a difficult pose and they’re trying to keep still for me. But, what I need to capture is that certain something, the essence, that will make the viewer feel erotic when they look at it. And that is such a subtle thing to capture, and is something that may be different in all of us.
The way I describe “erotic” is that it is something that makes you wonder...... what has that person done beforehand to now be in that position and place and time, and what are they going to do next? The way I describe “erotic” is this – if I draw any one of you sitting here as you are now, it would be a portrait. If you were sitting here in the same position stark naked, then it would be a life drawing pose. If you were sitting here stark naked doing something graphically sexual (and I’ll leave that to your vivid imaginations!) then that would be pornographic. But that leaves nothing to the imagination. But what I draw is the erotic – the sensual, the sexy and the suggestive. And I can draw an erotic image where the woman in it is fully clothed, because it may just be the look on her face that makes it look erotic. And erotic is becoming more acceptable in main stream. We’re all used to seeing erotic images in magazines and on the telly – and don’t tell me that Nigella Lawson isn’t promoting erotic, because she is! Her cooking is a by-product! It’s the enjoyment of sensual things – whether its food, sensual experiences or erotic art.
How I started being an Erotic Artist was by attending life drawing classes about ten years ago, and I found that a strange experience to start with, until I realised that although the room was full of people, and one of them was totally naked, it was all quite normal, and the naked woman was an object, like a beautiful vase, and not something that was considered dirty and rude, so I just got on with drawing, as was everyone else in the room, and I realised how difficult it is, because if you draw a tree, it doesn’t matter if the trunk is a little too wide, or if one of the branches is too long, but it does if it’s a human body, the measurements have to be right, and the arms and legs need to look like they are all connected to the body and that the head sits on the shoulders. But after a few weeks of being at a life drawing class and looking at the work I’d done, I wondered how I could make it look more interesting, and life like, and I realised that it’s what I was leaving out that made the picture more interesting, as it leaves it to your imagination. And I drew with white crayon on black card instead of black pencil on white paper and that made it more dramatic. And it evolved from there.
I love it when someone contacts me and wants me to paint their passion, because then I can put my passion into creating it for them. And it doesn’t matter if it’s erotic or not, I just love painting!
But as well as erotic art I love painting secrets – and have done some erotic landscapes (see, I told you I was a landscape painter!). I had a commission a few years ago from a chap from Windsor, who asked me to paint a picture of the New York skyline at night as the typical picture but with an erotic couple hidden within the painting so that people viewing it wouldn’t know unless they looked closer or had it pointed out to them. And also that very same week (and there must have been something in the air that week!) that he asked me to paint that picture I was commissioned to do a painting for a woman in Dorset who wanted an erotic picture to hang over her bed that her four year old son wouldn’t recognise as anything other than a landscape. She wanted me to paint an erotic landscape where the couple are actually the geography of the land - the picture is based on Lands End – there is sky, sea, cliffs, a beach, sand dunes, a cave, and a tree, and a bit of a phallic lighthouse in the distance. And to innocent eyes, this picture is nothing more than that. But to less innocent people, it is far more than that. You can see the man and the woman within the picture, and you can see what they are doing. It is both erotic, and a landscape. And it’s the thing that I am most proud about, because it took three months of hard work to design it. And innocence only sees innocence in my work.
But as well as that I love hiding the subject matter within my art too – like in the set of erotic feminine abstracts that I have painted that just looks like brightly colourful abstract shapes, but are actually a very intimate picture although most people looking at it wouldn’t have a clue – which makes it the ultimate conversation piece as far as I am concerned! A female Sex Therapist told me that a lot of her patients have issues with their body image, and seeing my beautiful and positive paintings might help them to over-come that. They have empowered the women who have participated in them, since they find them therapeutic and spiritual, and a little bit naughty as well! They are currently hanging on walls in America, and England, and a woman contacted me from New Zealand in raptures over them and what they stood for. I love the fact they are affecting women world wide. I painted one for a woman in Canada whose young step-son described it as “the sky diving picture”, because that was what it looked like to him. Again, innocence only sees innocence.
And from doing those pictures I was asked by a woman in California to paint a body portrait of her in the style of the feminine abstracts . She rang me specifically to tell me which tones and shades of which colours she wanted in it, and which she didn’t. And that's how I developed the “Living Flame” pictures. They are pastel colours glazed one on top of the other to create pretty and translucent shades which everyone seems to find very appealing. I’ve painted a chap from London in this style, as well as a couple which I sold to a collector of my work, in Chicago. I love the fact that one painting might lead on to another one because of one aspect that evolves into another and so on. The ideas for the art flow on and I love that aspect.
And I like to hide messages within my art too – like when I was asked to do a watercolour painting for a couple from London of a particular village in Southern France that they had visited a lot, and I suggested that they might like their initials hidden within the buildings itself. They loved that idea, as it made it far more personal to them, but I knew we were going to have a problem, as did the woman when I mentioned it. So, I had to just put in just their initials, and not the “and” part – since otherwise it would have spelt out “M & S” or worse still “S & M”!
I have exhibited a lot in the East Midlands, and with the Guild of Erotic Artists who are based in St. Albans in the Hertfordshire. I am featured in their second book, and have copies to sell if anyone is interested. It’s an international group and they actively try to promote the acceptance of erotic art. Having said that of course, it’s becoming more and more acceptable when you open most glossy magazines, or look at the adverts on the telly. But it’s a really nice friendly group to be part of and they are very supportive to everyone in the group. I have exhibited twice at Erotica (the liberated lifestyle event) at Olympia in London, which was an eye opening experience and great fun! I got chatting to a guy there who asked me “Why is a nice girl like you exhibiting here?” and the answer I gave him was that if I could sell enough vanilla artwork then I wouldn’t need to sell erotic stuff! But, I do love doing it, because it’s difficult, and the most challenging of art to do, because of the subtle nuances of it. It's my niche market, and its one I love.
I am on Facebook. I have a website which promotes my art worldwide, and I write a blog about being an erotic artist, and some of the very strange conversations I have with people. Someone once thought I was an erratic artist. And someone else thought I was a neurotic artist, I don’t know how one of those paints, very shakily, I suppose!
I have had a number of people brought to tears through a special commission that they’ve asked me to do, and when that happens I know it’s because I’ve touched their soul with mine. I know that people like to see what they look like through another person’s eyes, and I know I have been good therapy to some of the people who I have drawn, because they’ve told me so, with emotion in their voices. Someone I drew with a perceived lack of confidence says I’m good therapy because she was surprised I wanted to draw her and that she was so inspirational for me. Her elderly mother got emotional because when she saw the images as it reminded her of how she was as a younger woman. I have seen within them and it’s deeper than looking in a mirror.
And I’d like to think that I have brought a lot of pleasure to people through my art. I know I have done so far, and I hope to continue to do so. I try to touch people’s hearts and hope that they feel more enriched through knowing me. And I hope that I am an inspiration.
What I love most, and try to paint, is the thing that I think is most important in the world. And that is the power of communication - whether it is through the spoken word, touch, empathy, painting pictures for other people’s pleasure, or for my own, the written word, or just the look between two people. And as a woman, I think that’s important for us all.
Thankyou.
Monday, 7 March 2011
Fifteen minutes of fame
I also need to sort out what art work I'm taking with me to illustrate it, as well as the Guild of Erotic Artist books to sell, and sign if anyone wants signed copies.
I've already found an arty top to wear, one with pretty colours that will inspire me. Is that a woman thing, that the colour of your top decides what sort of mood you're in, and want to convey to others?
I know I am only a small part of this celebration of womanhood tomorrow, but I am proud to be part of it. And I shall look forward to meeting the diverse group of other women there who also have their few minutes to convey their messages too.
So, now I'm wondering who is going, and whether there will be anyone there I know. I feel its going to open new doors for me too, I'm just not sure where and how yet!
Wednesday, 2 March 2011
International Womens Day article in the paper
BURTON Library is to celebrate 100 years of International Women’s Day with songs, drama, craft and speeches.
Centred on the theme ‘Women in the Arts’, the events will be held at the centre on Tuesday, March 8.
Nottingham singer and actress Mellonie Page will start the celebrations by running a singing and drama workshop from 9am until noon.
Burton author and illustrator Kate Slater will then hold a similar event focussed on paper crafts and collage from 1pm to 3pm.
Tickets for the workshops are £3 each and advanced booking is advised as places are limited.
Mariama Tushermiriiwe, a Derby-based designer who trained at the London College of Fashion and Central Saint Martins College, will be among the guest speakers during the evening.
She creates hand-crafted items from reused, recycled fabrics and fibres and her work is available to buy online and countrywide.
Another performer will be Jackie Adshead, an artist who works with acrylics, oils and watercolours.
She has been acclaimed for her work as an erotic artist and is a member of the Guild of Erotic Artists.
Her work has been exhibited at the library as a solo artist and sold worldwide.
Ms Adshead, who lives near Ashby, said: “I’m very proud to be asked to take part because it’s International Women’s Day.
“It’s a wonderful opportunity for me as a woman artist to talk to other people there, male or female.
“If I can inspire anybody with the way I do my art, that would be great. It’s going to be an interesting evening.” Author Janet Bennett will discuss her three books on Burton’s Caribbean community as well as a recent exhibition with photographer Martin Naidu called ‘Community Clicks’, due to be published this year in book form.
She jokingly describes herself as ‘a writer who tolerates photographers’.
Burton singer Hayley Di Rito, a former Mail employee, will end the evening by talking about her life as a film make-up artist — she worked on ‘Robin Hood’, starring Russell Crowe — and singer.
Miss Di Rito, who has performed throughout the Midlands and is a regular feature at The Dial in Station Street, Burton, will also perform a selection of her favourite songs with Blue Yates on acoustic guitar.
Tickets for the evening event, which will run from 7pm to 9.30pm, are £3.50 each, or £2.50 for those entitled to concessions.
Advanced booking is advised.
Bookings for all of the events can be made by telephoning 01283 239556.
Friday, 11 February 2011
Batch theory
This week is a busy week for me, I'm sorting out various things that need time and input from me, which is all fine, because I like to be busy. But I knew that I needed to pop into the library at Burton on Trent to discuss the talk I shall be doing there in three weeks time. I knew it would help me to see the venue, and suss out where I should be standing and hear what would be needed from me. I've half written my piece, so that's not a problem although I have noticed that the time slot fluctuates in various conversations, between ten-fifteen-twenty minutes that I need to talk for! So that needs to be finalised fully. The librarians are friendly and pleasant and the two I know best there were helpful in their advice and support as we discussed the event and the date for International Women's Day. I came away happy that I knew what was expected of me. And went in search of a suitable top to buy to wear for an Erotic Artist doing a talk to a group of people who might be vaguely interested. Perhaps they're expecting something sexy but paint splattered!!!!
And as well as that I have been asked to paint a commission. Which is great. I love commissions, unlike a lot of artists. I received an email the other day mentioning it and enquiring about prices, which I replied to and was delighted when it was accepted. And I loved the fact that it was inspired in a way from the erotic abstract that I showed you the other week of browns, purples, silver, red and creams, although the subject matter is totally different and not erotic at all, although it does depict love.........
....love in various forms......
The commission is quite specific, which is good for me, and means I know what is expected of me. It will be a landscape of a beautiful famous place in England. It will depict two people in the fore-ground with their pets. It will feature the parents of one of them, and their pet. It will also depict the dead brother of one of them, and the dead mother of the other, as spiritual beings looking down at them. And there will be eyes and happiness depicted in the painting possibly within the trees. And weather, Autumnal weather with wind. And a cloudy forbidding sky. And it will be vibrant and dramatic. And just to add to that it will be abstract. So a abstract/surreal/fantasy/spiritual painting of a famous landscape.
Which is very exciting for me to do.
But just to add to it, to make it incredibly poignant for me......the dead brother was actually one of my closest friends.............................
Does that make it easier or harder, I wonder.
And I think the answer is "Easier".
Because I loved him, as a friend. He was one of the nicest men I've ever known, and he was and is deeply loved by his brother who has commissioned this painting. And he is deeply loved by his parents who will be featured in this painting.
There will be a lot of love within it.
As well as weather!
I'm so going to enjoy doing this.
........
I was going to make this blog post about the erotic abstract I showed you last week and explain a bit more about it and how it was designed and how I created it, but I'll leave it for another time, soon....
And I was also going to tell you about my friend, the local historian writer, Stuart, who gave me a beautiful Camellia from his well established garden, this week, which I shall love having in my new garden. I have planted it in a large blue ceramic pot which is outside my front door, and when the yellow and cream blooms appear they will compliment the pot beautifully. I will enjoy having it very much and shall treasure it as a gift from my friend.
You see, I've got so much to tell you!
I bet next week nothing happens!
Its the batch theory, you see!!! LOL
Monday, 1 June 2009
Talking to the magic writers
I hadn't met any of the writers before, and they knew nothing about me or the subject matter of Stuarts or my talk. And I wasn't sure what any of them wrote about until I got there, and had an introductory chat with the woman running the meeting. Most of them were local historians. Ok, then, no problem. And some had never been before. Ok, then, no problem. And the talk wasn't to go over ten minutes, as people start to get bored then. Ok, no problem. What about mentioning erotic art then I asked. Better not, she said. Ok, then, good job I'd decided on a two part talk, the basic promotional one, and the other about the more specific very erotic art. I'll cut the second part, don't want any of them walking out in disgust and being offended.
I went up to the meeting room with Stuart and his wife, and we decided where to sit - I opted for the far end of the room, with a wall behind me, as then I could put my art carrying bag down easier, and also could talk to the room, without having to swivel around to include the people behind me. It was all very informal, with tables laid out in the refectory style, with seats either side. There were about 25 people there, drinking tea and coffee and chatting, and I was told they meet every three months.
Stuart and I settled ourselves in, and I sat conversing with the woman next to me, who I hadn't ever met before but she knew all about my website and the artwork on it because Stuart had told her about it months ago after I'd done the drawings of him and he'd shown them to her. He's a walking advert for me!!
After a few minutes the meeting started, a few points that needed mentioning, then we were introduced as the speakers "Stuart and his friend Jackie". Stuart stood and did his talk. (The gist of it is featured here on my blog). And he entertained them beautifully, and they laughed in all the right places, and he got a rousing round of applause for his efforts. Then it was my turn, I stood, and explained that I was an unusual artist because of all the different types of art I do, so I call myself an erotic artist as it gets me noticed more! I explained what erotic art is, and how I started doing it, I told them I was in two art organisations - Ashby Guild of Artists, and the Guild of Erotic Artists, and that I had sold artwork locally and internationally to Canada, and the USA. I said I was a writer too, in that I write a blog, and told them about my website, and said that if any of them wanted any illustrations done for their books, or a dog portrait doing, for them to contact me, and said I had flyers and business cards to hand out to them all there. That was it - ten minutes! And I got a good round of applause too. Phew!
But that's just the fishing, I suppose. That's the bait thrown out and I never know what sort of interested things I'm going to catch with it...........................
A few people came over to view Stuarts drawings that he keeps in a large folder. He hadn't held them up incase any of them didn't want to view them, someone had joked earlier that he should have had them on the large projection screen behind him!
Then they came to me - the first chap asked me how much it would cost to repaint a print he had of a dog picture, I replied that I'd have to see it to be able to give him a full answer, but yes, it was certainly possible for me to do it for him....
The second chap asked if I would do a talk to his local civic group of 50 or 60 people, maybe next year, and I said I would be interested in doing it.....
The third chap said that Stuarts and my talk were the best thing they'd ever had at the Magic Attic, and that he was a speaker who did two or three talks a week to local groups, on local history. He'd written a few books that he pointed out to me on the shelf at the side of the room, one of the books was about the history of the privy, and he said he knew within five minutes of talking to a group, about which stories he could tell, and which to avoid!!!!!!!! He asked if I was on the WI list of speakers, and I said no, it was only the second talk I'd ever done, but I'd bear it in mind.
And the fourth person was the most interesting for me - she was fascinated with the white on black erotic drawings that I do and asked me if I'd be interested in exhibiting at Burton on Trents library. Yes I would! She said that she would book me straight away, if she could, but because it was erotic, would have to check it out with her colleagues. Ok, that's fine. I can do tasteful and acceptable art for the visitors to the library, it doesn't have to be strongly erotic.
So, ALL good stuff!
And I found them a friendly bunch of people, who made me most welcome. So that was nice too.
And maybe someone is writing a book, and maybe they want some illustrations, and maybe they'll contact me. But at least they know who I am now, and they didn't the day before.......
Tuesday, 31 March 2009
Empowered
Stuart and I also talked of general things, and amongst all the babble, he said a really lovely thing - about how much more self confidence he has since I drew him. That's REALLY good to know, and I was touched that he experienced that positive self worth, and delighted that he wanted to tell me. Perhaps I'm good therapy for him! I hope so, and for others who choose to be drawn naked by me.....
Monday, 9 March 2009
Laughing in all the right places
We met for a coffee and chat, it was good to see him again and catch up with him and his news. But there was a reason for the meeting, we had *plans* to discuss! He's a member of a local writers group, and is going to give a talk to them in a few months time, about his experience of being drawn my me in December. He likes to tell amusing anecdotes, and I think his experience with me has fueled an interesting one for him! He likes to tell his friends and acquaintances about this episode in his life, so telling his writers group is the next step along this path! But the thing is................... he thinks it would be fun if I go along to this writers group too....... on the day he does his talk..................... and he thinks it would be good if I spoke too. But, and this is the bit I really like............. he's suggesting that he doesn't tell the audience of about 40 people that its me who he is talking about. And I think that is going to be.......................FUN!......... In that he will start telling them about being naked in the company of a woman who he had only met for the first time an hour previously, and then explain the reasons leading up to it, and the experience of it. And even produce the drawings in question. And I'm sure he'll add his embellishments that will make the story funny, and naughtily humorous, and I'm sure that his audience will laugh in all the right places, and be a little shocked at what he's done, and said. And as the laughter dies down, he will turn to me in the audience and introduce me as the erotic artist in question..................... and then it'll be MY turn to talk to them! I've got to think what I'm going to say, about me as and Erotic Artist, and painter of more vanilla subjects, and I want to make it amusing too, and want them to enjoy my talk as much as they'll enjoy Stuarts!
Not much pressure then!!!!! :)
Thursday, 29 November 2007
Pleasing people
Sorry for not contacting you sooner.
All of our members were enthralled and fascinated with your erotic drawings and paintings.
A Tribute to your art.
Thank you"
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The painting is called "Towering passions" as I wanted in some way to incorporate the lights of where the twin towers once stood, as a hint of the title, and perhaps take away from the erotic couple a bit - a sort of play on words. And here's the detail of the erotic couple so you can see them clearly a
nd how they look. They're nicely hidden in the main picture but clear enough if you know where to look. The fact they're muted has helped to hide them, and putting the lights over them has also helped to disguise them within the image. I've loved doing this painting as I love hiding images within images.
And just to make it a hat trick - I've just had another conversation with someone who has commissioned me to do the second dog portrait for a Christmas present. She showed me the photos of the dog and we discussed mediums, and size and whether I was getting the artwork framed, all the usual questions that I ask when someone commissions me. Originally she had thought she wanted a pencil drawing of the dog, but then mentioned in passing about a favourite painting she has of another pet dog and how much she loves it and would adore this commission done the same way...... but she wasn't sure of the medium it was painted in, but had always wanted to know. So I took a look at it........ and could tell her the answer to her long wondered question....... it was done, very cleverly, in gouache, the background being a pretty, scumbled wet effect and the dog itself painted in fine wet on dry detail with every hair shown and I said I could paint the new commission in the same way if she so wished. Oh yes!!! I'd made her day with that offer! So, I'm happy to help and glad I can be of service ....... and pleased that sometimes I can help make dreams come true.......
Thursday, 22 November 2007
Strange forays
So, do I count it as a success ? - I'm not sure. Perhaps they were all totally enthralled - and loved every minute of it, and went home all fired up and full of passion. Or............ perhaps they didn't. Perhaps they went home and told their husbands they'd been in the company of a strange woman, one who likes showing them pictures of brazen hussies playing with themselves and giving blow-jobs!! I think the thing that I've learnt with this is, that I'm happier talking to spicy people about the non vanilla subjects. If it had been a group of gays I'd have had a far different reaction!
The best thing to come out of the talk last night was the decision I made towards the end of the talk that........perhaps..................tonight................wasn't the................best time...............to perhaps..................mention about....................the ................fantasy fannies collection I'm going to be working on soon!!!!!!!!!!!!!!!!!!!!